The September Tapes: A very risky film disappoints yet interests

Saw a very strange mockumentary: The September Tapes, a low-budget indie film shot in Afghanistan in early 2002. The plot, writing, and acting are often unwieldy, but for those of us obsessed with taking in every angle, it still had a lot of interesting elements.

It could be called the 'Osama Witch Project' for its handheld zoominess. The central character, one Don Larson, lost his wife in 9/11, so he's decided to go to Afghanistan and see if he can find bin Laden while pissing off the whole country with his boorish and idiotic ways. The filmmakers admitted they were going with a Heart of Darkness model story, but when the crew follows some bounty hunters towards Khost and the Final Battle, the film kind of breaks up. Wali Razaqi is his Afghan/American guide, and apparently the only sane, but always ignored, character.

Apparently once the filmmakers arrived in Kabul, the new Northern Alliance governor sort of took them under his wing. There's a memorable scene -- although incredibly stupid -- where Don insists on taking photos of the Kabul police force, and they don't like it. Don abruptly announces he wants to get arrested so he can go find out the Truth in the prison. He zooms off in the Rover, and the Kabul police Give Chase, get to have a fun time for this movie.

Likewise the Northern Alliance officers and miscellaneous gruff men armed with AKs that fill the film are hardly actors. The staging of scenes in the Kabul bazaar reminded me of Godard's whole realism on-the-streets thing. The real-life governor and narcotics minister each have cameos as arms dealers, so I can imagine the locals liked seeing themselves on film.

This film spoofs pretty accurately the Geraldo-Nic Robertson bull-headed dramatic style of embedded Western reporters. I can imagine the inhabitants of Jordanian town of Zarqa scoffing when yet another Western TV crew, full of the starry-eyed gung-ho macho Info Warriors like Don arrives.

There are moments of striking clarity, like when the Afghan fighter tells Wali matter-of-factly that the Americans let bin Laden escape at Tora Bora. Many of the scenes were improvised, so it has the 'traction' of the Real. But the editing is really lurid and perhaps 'imperialist' or 'Orientalist' at times.

Don's 9/11 rage is barely contained; it spills out of him in perilous and impulsive ways. He has no idea who he's dealing with, and has some kind of psychotic death wish. They follow the bounty hunter out of town, and set up a campfire a couple miles from the battle site. Suddenly some horseback raiders shoot Wali and ride off. Don screams that they're cowards, then basically grabs his gun and runs off into the night, shooting wildly. The terrorists briefly capture him, then he escapes, drops the camera and vanishes into destiny.

So it actually is a pretty good metaphor for the thrashing, blind and confused rage of America in those parts. Too bad it's such a silly film. The filmmakers risked their lives to shoot this innovative flick. It gets dull about halfway through, but it kind of strobes between the sublime and the banal. The Behind the Scenes feature on the DVD was really much better than the film, but also showed that director Christian Johnson isn't that different from Don. His next one should be interesting, though. Not recommended without whiskey.

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